Where did the Ahoms establish their final capital? [#1507]
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Q1. Where did the Ahoms establish their final capital?
Q1. Where did the Ahoms establish their final capital?
(A) Gargaon
(A) Gargaon
(A) Gargaon
(B) Jorhat
(B) Jorhat
(B) Jorhat
(C) Charaideo
(C) Charaideo
(C) Charaideo
(D) Sivasagar
(D) Sivasagar
(D) Sivasagar
Answer: (B) Jorhat
Answer: (B) Jorhat
Answer: (B) Jorhat
The Ahoms established their final capital at Rangpur (present-day Jorhat). This city remained the capital of the Ahom kingdom until its downfall in the 18th century.
The Ahoms established their final capital at Rangpur (present-day Jorhat). This city remained the capital of the Ahom kingdom until its downfall in the 18th century.
The Ahoms established their final capital at Rangpur (present-day Jorhat). This city remained the capital of the Ahom kingdom until its downfall in the 18th century.
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Related MCQ Quizzes
Q1. When did the peasant revolt of Rangia take place?
Q1. When did the peasant revolt of Rangia take place?
(A) 1895
(A) 1895
(A) 1895
(B) 1890
(B) 1890
(B) 1890
(C) 1893
(C) 1893
(C) 1893
(D) 1891
(D) 1891
(D) 1891
Answer: (C) 1893
Answer: (C) 1893
Answer: (C) 1893
The peasant revolt of Rangia took place on December 24, 1893, when the people of Rangia ransacked the Rangia market. The revolt was a result of a 70–100% increase in land tax by Sir William Ward, the Chief Commissioner of Assam. The peasants of Rangiya Village in the Kamrup district of Assam rose against the British government in 1893–94, demanding a reduction in taxation.
The peasant revolt of Rangia took place on December 24, 1893, when the people of Rangia ransacked the Rangia market. The revolt was a result of a 70–100% increase in land tax by Sir William Ward, the Chief Commissioner of Assam. The peasants of Rangiya Village in the Kamrup district of Assam rose against the British government in 1893–94, demanding a reduction in taxation.
The peasant revolt of Rangia took place on December 24, 1893, when the people of Rangia ransacked the Rangia market. The revolt was a result of a 70–100% increase in land tax by Sir William Ward, the Chief Commissioner of Assam. The peasants of Rangiya Village in the Kamrup district of Assam rose against the British government in 1893–94, demanding a reduction in taxation.
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Q2. The traditional Assamese form of storytelling through song and dance is known as:
Q2. The traditional Assamese form of storytelling through song and dance is known as:
(A) Bihu
(A) Bihu
(A) Bihu
(B) Ankia Nat
(B) Ankia Nat
(B) Ankia Nat
(C) Sattriya
(C) Sattriya
(C) Sattriya
(D) Ojapali
(D) Ojapali
(D) Ojapali
Answer: (D) Ojapali
Answer: (D) Ojapali
Answer: (D) Ojapali
Ojapali is a traditional form of storytelling prevalent in Assam, India, that combines elements of song, dance, and narration. It is typically performed by a group of individuals, with the lead performer (Oja) narrating the story, while the others (Pali) provide musical accompaniment and rhythmic movements. Ojapali performances often depict mythological tales, historical events, or social themes, and play an important role in preserving and transmitting cultural heritage. There are different forms of Ojapali, such as Biyah Oja, which is particularly associated with the Darrang district.
Ojapali is a traditional form of storytelling prevalent in Assam, India, that combines elements of song, dance, and narration. It is typically performed by a group of individuals, with the lead performer (Oja) narrating the story, while the others (Pali) provide musical accompaniment and rhythmic movements. Ojapali performances often depict mythological tales, historical events, or social themes, and play an important role in preserving and transmitting cultural heritage. There are different forms of Ojapali, such as Biyah Oja, which is particularly associated with the Darrang district.
Ojapali is a traditional form of storytelling prevalent in Assam, India, that combines elements of song, dance, and narration. It is typically performed by a group of individuals, with the lead performer (Oja) narrating the story, while the others (Pali) provide musical accompaniment and rhythmic movements. Ojapali performances often depict mythological tales, historical events, or social themes, and play an important role in preserving and transmitting cultural heritage. There are different forms of Ojapali, such as Biyah Oja, which is particularly associated with the Darrang district.
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Q3. What is the total area of the Brahmaputra Valley?
Q3. What is the total area of the Brahmaputra Valley?
(A) 56,000 sq km
(A) 56,000 sq km
(A) 56,000 sq km
(B) 56,964 sq km
(B) 56,964 sq km
(B) 56,964 sq km
(C) 56,500 sq km
(C) 56,500 sq km
(C) 56,500 sq km
(D) 56,274 sq.km
(D) 56,274 sq.km
(D) 56,274 sq.km
Answer: (D) 56,274 sq.km
Answer: (D) 56,274 sq.km
Answer: (D) 56,274 sq.km
The Brahmaputra Valley, also known as the Assam Valley, covers an area of approximately 56,274 square kilometers, accounting for about 69% of the total area of Assam.
The Brahmaputra Valley, also known as the Assam Valley, covers an area of approximately 56,274 square kilometers, accounting for about 69% of the total area of Assam.
The Brahmaputra Valley, also known as the Assam Valley, covers an area of approximately 56,274 square kilometers, accounting for about 69% of the total area of Assam.
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Q4. What is the capital of Bhutan?
Q4. What is the capital of Bhutan?
(A) Thimphu
(A) Thimphu
(A) Thimphu
(B) Punakha
(B) Punakha
(B) Punakha
(C) Paro
(C) Paro
(C) Paro
(D) Phuntsholing
(D) Phuntsholing
(D) Phuntsholing
Answer: (A) Thimphu
Answer: (A) Thimphu
Answer: (A) Thimphu
Thimphu is the capital city of Bhutan. It is known for its unique architecture and is one of the few capital cities in the world without traffic lights.
Thimphu is the capital city of Bhutan. It is known for its unique architecture and is one of the few capital cities in the world without traffic lights.
Thimphu is the capital city of Bhutan. It is known for its unique architecture and is one of the few capital cities in the world without traffic lights.
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Q5. Which Ahom ruler commissioned the Rudreshwar and Sukleshwar Devalaya?
Q5. Which Ahom ruler commissioned the Rudreshwar and Sukleshwar Devalaya?
(A) Rajeshwar Singha
(A) Rajeshwar Singha
(A) Rajeshwar Singha
(B) Pratap Singha
(B) Pratap Singha
(B) Pratap Singha
(C) Pramatta Singha
(C) Pramatta Singha
(C) Pramatta Singha
(D) Suhungmung
(D) Suhungmung
(D) Suhungmung
Answer: (C) Pramatta Singha
Answer: (C) Pramatta Singha
Answer: (C) Pramatta Singha
Pramatta Singha was an Ahom king who ruled from 1744 to 1751. He is known for his patronage of the arts and culture, and commissioned the construction of the Rudreshwar and Sukleshwar Devalaya. These two Hindu temples are significant architectural and cultural landmarks in Assam.
Pramatta Singha was an Ahom king who ruled from 1744 to 1751. He is known for his patronage of the arts and culture, and commissioned the construction of the Rudreshwar and Sukleshwar Devalaya. These two Hindu temples are significant architectural and cultural landmarks in Assam.
Pramatta Singha was an Ahom king who ruled from 1744 to 1751. He is known for his patronage of the arts and culture, and commissioned the construction of the Rudreshwar and Sukleshwar Devalaya. These two Hindu temples are significant architectural and cultural landmarks in Assam.
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Q6. Bagarumba is a folk dance performed by
Q6. Bagarumba is a folk dance performed by
(A) Rabhas
(A) Rabhas
(A) Rabhas
(B) Mishings
(B) Mishings
(B) Mishings
(C) Garos
(C) Garos
(C) Garos
(D) Bodos
(D) Bodos
(D) Bodos
Answer: (D) Bodos
Answer: (D) Bodos
Answer: (D) Bodos
Bagurumba is a traditional folk dance of the Bodo people, an indigenous community primarily residing in the state of Assam, India. It's a vibrant dance performed by women, often likened to the fluttering of butterflies due to its graceful movements. They wear traditional attire like dokhna, jwmgra, and aronai and are accompanied by instruments like kham, sifung, jota, serja, and gongwna. Bagurumba is an integral part of Bodo culture and is performed during festivals, weddings, and other celebrations.
Bagurumba is a traditional folk dance of the Bodo people, an indigenous community primarily residing in the state of Assam, India. It's a vibrant dance performed by women, often likened to the fluttering of butterflies due to its graceful movements. They wear traditional attire like dokhna, jwmgra, and aronai and are accompanied by instruments like kham, sifung, jota, serja, and gongwna. Bagurumba is an integral part of Bodo culture and is performed during festivals, weddings, and other celebrations.
Bagurumba is a traditional folk dance of the Bodo people, an indigenous community primarily residing in the state of Assam, India. It's a vibrant dance performed by women, often likened to the fluttering of butterflies due to its graceful movements. They wear traditional attire like dokhna, jwmgra, and aronai and are accompanied by instruments like kham, sifung, jota, serja, and gongwna. Bagurumba is an integral part of Bodo culture and is performed during festivals, weddings, and other celebrations.
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Q7. Where did the Ahoms establish their final capital?
Q7. Where did the Ahoms establish their final capital?
(A) Gargaon
(A) Gargaon
(A) Gargaon
(B) Jorhat
(B) Jorhat
(B) Jorhat
(C) Charaideo
(C) Charaideo
(C) Charaideo
(D) Sivasagar
(D) Sivasagar
(D) Sivasagar
Answer: (B) Jorhat
Answer: (B) Jorhat
Answer: (B) Jorhat
The Ahoms established their final capital at Rangpur (present-day Jorhat). This city remained the capital of the Ahom kingdom until its downfall in the 18th century.
The Ahoms established their final capital at Rangpur (present-day Jorhat). This city remained the capital of the Ahom kingdom until its downfall in the 18th century.
The Ahoms established their final capital at Rangpur (present-day Jorhat). This city remained the capital of the Ahom kingdom until its downfall in the 18th century.
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Q8. The famous Assamese historical figure and saint associated with the Neo-Vaishnavite movement is
Q8. The famous Assamese historical figure and saint associated with the Neo-Vaishnavite movement is
(A) Sankardev
(A) Sankardev
(A) Sankardev
(B) Lachit Borphukan
(B) Lachit Borphukan
(B) Lachit Borphukan
(C) Sukaphaa
(C) Sukaphaa
(C) Sukaphaa
(D) Bir Chilarai
(D) Bir Chilarai
(D) Bir Chilarai
Answer: (A) Sankardev
Answer: (A) Sankardev
Answer: (A) Sankardev
Srimanta Sankaradeva was a 15th-16th century Assamese polymath, saint-scholar, social reformer, poet, playwright, and the principal figure in the Neo-Vaishnavite movement in Assam. His teachings, known as Ekasarana Dharma, centered on devotion to Lord Krishna and advocated for a casteless society. He established Sattras (monasteries) and Namghars (prayer halls) which became vital socio-religious institutions. Sankaradeva's prolific literary works include Borgeets (devotional songs), Ankia Naats (plays), and he is credited with developing the classical dance form Sattriya. His influence profoundly shaped Assamese culture and continues to resonate today.
Srimanta Sankaradeva was a 15th-16th century Assamese polymath, saint-scholar, social reformer, poet, playwright, and the principal figure in the Neo-Vaishnavite movement in Assam. His teachings, known as Ekasarana Dharma, centered on devotion to Lord Krishna and advocated for a casteless society. He established Sattras (monasteries) and Namghars (prayer halls) which became vital socio-religious institutions. Sankaradeva's prolific literary works include Borgeets (devotional songs), Ankia Naats (plays), and he is credited with developing the classical dance form Sattriya. His influence profoundly shaped Assamese culture and continues to resonate today.
Srimanta Sankaradeva was a 15th-16th century Assamese polymath, saint-scholar, social reformer, poet, playwright, and the principal figure in the Neo-Vaishnavite movement in Assam. His teachings, known as Ekasarana Dharma, centered on devotion to Lord Krishna and advocated for a casteless society. He established Sattras (monasteries) and Namghars (prayer halls) which became vital socio-religious institutions. Sankaradeva's prolific literary works include Borgeets (devotional songs), Ankia Naats (plays), and he is credited with developing the classical dance form Sattriya. His influence profoundly shaped Assamese culture and continues to resonate today.
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Q9. Where did Sankardeva breathe his last?
Q9. Where did Sankardeva breathe his last?
(A) Madhupur Satra
(A) Madhupur Satra
(A) Madhupur Satra
(B) Sundaridiya Satra
(B) Sundaridiya Satra
(B) Sundaridiya Satra
(C) Aauniati Satra
(C) Aauniati Satra
(C) Aauniati Satra
(D) Dakshinpaat Satra
(D) Dakshinpaat Satra
(D) Dakshinpaat Satra
Answer: (A) Madhupur Satra
Answer: (A) Madhupur Satra
Answer: (A) Madhupur Satra
Srimanta Sankardeva, the revered Assamese saint, scholar, playwright, social reformer, and founder of the Ekasarana Dharma, breathed his last at Madhupur Satra, Bheladonga in Cooch Behar, which is now in West Bengal, India.
Srimanta Sankardeva, the revered Assamese saint, scholar, playwright, social reformer, and founder of the Ekasarana Dharma, breathed his last at Madhupur Satra, Bheladonga in Cooch Behar, which is now in West Bengal, India.
Srimanta Sankardeva, the revered Assamese saint, scholar, playwright, social reformer, and founder of the Ekasarana Dharma, breathed his last at Madhupur Satra, Bheladonga in Cooch Behar, which is now in West Bengal, India.
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Q10. Which of the following river originates from the Naga Hills?
Q10. Which of the following river originates from the Naga Hills?
(A) Kameng
(A) Kameng
(A) Kameng
(B) Subansiri
(B) Subansiri
(B) Subansiri
(C) Bhogdoi
(C) Bhogdoi
(C) Bhogdoi
(D) Brahmaputra
(D) Brahmaputra
(D) Brahmaputra
Answer: (C) Bhogdoi
Answer: (C) Bhogdoi
Answer: (C) Bhogdoi
The Bhogdoi River originates in the Naga Hills of Nagaland and is a significant tributary of the Brahmaputra River.
The Bhogdoi River originates in the Naga Hills of Nagaland and is a significant tributary of the Brahmaputra River.
The Bhogdoi River originates in the Naga Hills of Nagaland and is a significant tributary of the Brahmaputra River.
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Related Questions
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