Which Assamese poet translated Valmiki Ramayana into Assamese verse as 'Saptakanda Ramayana'? [#1423]

Madhava Kandali is renowned for translating the Sanskrit epic Ramayana into Assamese verse, creating the 'Saptakanda Ramayana'. This work is considered a cornerstone of Assamese literature.

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Madhava Kandali is renowned for translating the Sanskrit epic Ramayana into Assamese verse, creating the 'Saptakanda Ramayana'. This work is considered a cornerstone of Assamese literature.

Mafizuddin Ahmed Hazarika is a prominent figure in the Jonaki era of Assamese literature. He is best known for his famous poetic work "Jnan Malini," which earned him the sobriquet "Gyanmalinir Kavi" (The Poet of Jnan Malini).

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Mafizuddin Ahmed Hazarika is a prominent figure in the Jonaki era of Assamese literature. He is best known for his famous poetic work "Jnan Malini," which earned him the sobriquet "Gyanmalinir Kavi" (The Poet of Jnan Malini).

In Assamese literature, the sobriquet "Natasurjya" is associated with Phani Sarma. "Natasurjya" translates to "Sun of the Stage" and is used to recognize Phani Sarma's significant contributions to Assamese theatre and literature.

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In Assamese literature, the sobriquet "Natasurjya" is associated with Phani Sarma. "Natasurjya" translates to "Sun of the Stage" and is used to recognize Phani Sarma's significant contributions to Assamese theatre and literature.

Bhabendra Nath Saikia

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Bhabendra Nath Saikia

Mahendranath Deka Phukan, a prominent Assamese writer and journalist, used the pen name "Monai Boiragi" for his literary works.

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Mahendranath Deka Phukan, a prominent Assamese writer and journalist, used the pen name "Monai Boiragi" for his literary works.

The Kirtan Ghosha is a collection of devotional poems written by Srimanta Sankardeva, a 15th-century Vaishnava saint and scholar. It is considered the most significant work of Assamese literature and is a cultural icon of Assam, shaping its religious, musical, and theatrical traditions.

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The Kirtan Ghosha is a collection of devotional poems written by Srimanta Sankardeva, a 15th-century Vaishnava saint and scholar. It is considered the most significant work of Assamese literature and is a cultural icon of Assam, shaping its religious, musical, and theatrical traditions.

Omeo Kumar Das and Jayaprakash Narayan are both known as Lok Nayak, which means "leader of the people" or "people's hero".

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Omeo Kumar Das and Jayaprakash Narayan are both known as Lok Nayak, which means "leader of the people" or "people's hero".

Kaviraja Madhava Kandali was a Pre-Shankara era Assamese poet. His Saptakanda Ramayana is considered the earliest translation of the Ramayana into an Indo-Aryan language, Assamese.

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Kaviraja Madhava Kandali was a Pre-Shankara era Assamese poet. His Saptakanda Ramayana is considered the earliest translation of the Ramayana into an Indo-Aryan language, Assamese.

Nabakanta Barua was a prominent Assamese novelist and poet. He used the pen name "Ekhud Kakaideu: Sima Dutta" in his literary works, with "Sima Dutta" being used for his early poems.

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Nabakanta Barua was a prominent Assamese novelist and poet. He used the pen name "Ekhud Kakaideu: Sima Dutta" in his literary works, with "Sima Dutta" being used for his early poems.

Chakreshwar Bhattacharyya, a prominent Assamese writer and journalist, used the pen name "Rajpathar Sil" (Stone on the Royal Road) for his literary works.

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Chakreshwar Bhattacharyya, a prominent Assamese writer and journalist, used the pen name "Rajpathar Sil" (Stone on the Royal Road) for his literary works.

Chandra Kumar Agarwala, Lakshminath Bezbarua, and Hemchandra Goswami are known as the "Trimurti of Assamese literature" for their contributions to the beginning of modern Assamese literature. They were also friends and co-founders of the literary organization Asamiya Bhasa Unnati Sadhini Sabha. Agarwala was the first editor and financier of the magazine Jonaki, which was published on February 9, 1889. The history of Assamese literature is divided into three periods named after magazines: the "Jonaki Age" (1889–1929), the "Abahan Age" (1929–1940), and the "Ramdhenu Age" (1940–1970).

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Chandra Kumar Agarwala, Lakshminath Bezbarua, and Hemchandra Goswami are known as the "Trimurti of Assamese literature" for their contributions to the beginning of modern Assamese literature. They were also friends and co-founders of the literary organization Asamiya Bhasa Unnati Sadhini Sabha. Agarwala was the first editor and financier of the magazine Jonaki, which was published on February 9, 1889. The history of Assamese literature is divided into three periods named after magazines: the "Jonaki Age" (1889–1929), the "Abahan Age" (1929–1940), and the "Ramdhenu Age" (1940–1970).