Which one of these festivals is primarily celebrated in Assam? [#1409]

Bihu is the most important festival in Assam, celebrated with great enthusiasm and fervor. It marks the Assamese New Year and is associated with harvest and prosperity.

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Bihu is the most important festival in Assam, celebrated with great enthusiasm and fervor. It marks the Assamese New Year and is associated with harvest and prosperity.

1935

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1935

Digboi

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Digboi

Sutamla aka Jayadhwaj Singha, a king of the Ahom dynasty, was called Bhagania Roja due to his flight from the Mughal invader Mir Jumla.

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Sutamla aka Jayadhwaj Singha, a king of the Ahom dynasty, was called Bhagania Roja due to his flight from the Mughal invader Mir Jumla.

Octagonal

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Octagonal

1881 dibrugarh to mirgherita

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1881 dibrugarh to mirgherita

The Phulaguri Uprising, also known as the Phulaguri Dhawa, was the first peasant revolt in Assam against British rule. It took place in October 1861 in Phulaguri village, located in the Brahmaputra Valley. The uprising was a reaction to the British Indian Empire's new farm and income taxation policies, which were implemented after the 1857 Indian Rebellion.

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The Phulaguri Uprising, also known as the Phulaguri Dhawa, was the first peasant revolt in Assam against British rule. It took place in October 1861 in Phulaguri village, located in the Brahmaputra Valley. The uprising was a reaction to the British Indian Empire's new farm and income taxation policies, which were implemented after the 1857 Indian Rebellion.

Nabakanta Barua was a prominent Assamese novelist and poet. He used the pen name "Ekhud Kakaideu: Sima Dutta" in his literary works, with "Sima Dutta" being used for his early poems.

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Nabakanta Barua was a prominent Assamese novelist and poet. He used the pen name "Ekhud Kakaideu: Sima Dutta" in his literary works, with "Sima Dutta" being used for his early poems.

Brajanath Sharma, a pioneer of mobile theatre in Assam, is credited with introducing co-acting (specifically, women acting on stage) in 1933. This was a revolutionary step, as previously, female roles were typically played by men. His bold initiative opened up opportunities for women in Assamese theatre and significantly contributed to the industry's development.

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Brajanath Sharma, a pioneer of mobile theatre in Assam, is credited with introducing co-acting (specifically, women acting on stage) in 1933. This was a revolutionary step, as previously, female roles were typically played by men. His bold initiative opened up opportunities for women in Assamese theatre and significantly contributed to the industry's development.

Doyni-Polo is the primary religion of the Adi people, a major tribal group of Arunachal Pradesh, India. Doyi-Polo translates to 'Mother Sun' and 'Father Moon' and is a form of animism, where the sun and moon are revered as the supreme deities. It involves a complex system of rituals, beliefs, and a rich oral tradition. While other tribes in Arunachal Pradesh might have similar animistic beliefs, Doyi-Polo is specifically associated and central to the Adi. Tani-speaking peoples (Lhoba, Tagin, Galo, Nyishi, Nah, Apatani, Mishing, Adi) share a myth telling of their descendance from the progenitor Abotani.

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Doyni-Polo is the primary religion of the Adi people, a major tribal group of Arunachal Pradesh, India. Doyi-Polo translates to 'Mother Sun' and 'Father Moon' and is a form of animism, where the sun and moon are revered as the supreme deities. It involves a complex system of rituals, beliefs, and a rich oral tradition. While other tribes in Arunachal Pradesh might have similar animistic beliefs, Doyi-Polo is specifically associated and central to the Adi. Tani-speaking peoples (Lhoba, Tagin, Galo, Nyishi, Nah, Apatani, Mishing, Adi) share a myth telling of their descendance from the progenitor Abotani.

Ankia Nat is a traditional form of one-act play from Assam, India, developed by the saint-scholar Srimanta Sankaradeva. These plays are primarily religious, depicting episodes from Hindu scriptures, particularly the life of Krishna. They are performed in Brajavali, a unique literary language, and feature a Sutradhara (narrator) who guides the story. Ankia Nats incorporate elements of music, dance (often Sattriya), and elaborate costumes and masks. They played a crucial role in disseminating Neo-Vaishnavite teachings and remain an important part of Assamese cultural heritage.

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Ankia Nat is a traditional form of one-act play from Assam, India, developed by the saint-scholar Srimanta Sankaradeva. These plays are primarily religious, depicting episodes from Hindu scriptures, particularly the life of Krishna. They are performed in Brajavali, a unique literary language, and feature a Sutradhara (narrator) who guides the story. Ankia Nats incorporate elements of music, dance (often Sattriya), and elaborate costumes and masks. They played a crucial role in disseminating Neo-Vaishnavite teachings and remain an important part of Assamese cultural heritage.