Which of these is a major natural resource found in abundance in Assam? [#1396]

Assam is one of the major oil-producing states in India, with significant petroleum reserves.

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Assam is one of the major oil-producing states in India, with significant petroleum reserves.

Srinath Duara Barbarua

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Srinath Duara Barbarua

Raghunath Choudhury is known as the "Bihogi Kavi" (Bird Poet) in Assamese literature. He was a noted poet known for his love of nature and his poems often featured birds and other natural elements.

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Raghunath Choudhury is known as the "Bihogi Kavi" (Bird Poet) in Assamese literature. He was a noted poet known for his love of nature and his poems often featured birds and other natural elements.

Ajan Fakir, also known as Nizamuddin Auliya, was a Sufi saint who traveled to Assam in the 17th century. He is credited with composing the Jikir and Jaari geets, devotional songs that blend Assamese folk music with Sufi and Islamic influences. These songs hold a significant place in Assamese cultural heritage and are still widely sung and appreciated today.

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Ajan Fakir, also known as Nizamuddin Auliya, was a Sufi saint who traveled to Assam in the 17th century. He is credited with composing the Jikir and Jaari geets, devotional songs that blend Assamese folk music with Sufi and Islamic influences. These songs hold a significant place in Assamese cultural heritage and are still widely sung and appreciated today.

Hollong

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Hollong

The Barmans, also known as Barman Kacharis, are an indigenous community primarily residing in Assam, India. Their language is called Barman Thar, where "thar" means language. It is a Tibeto-Burman language belonging to the Bodo-Garo subgroup. Although the community has a population of over 24,000, only a small portion of them still speak Barman Thar, making it a highly endangered language.

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The Barmans, also known as Barman Kacharis, are an indigenous community primarily residing in Assam, India. Their language is called Barman Thar, where "thar" means language. It is a Tibeto-Burman language belonging to the Bodo-Garo subgroup. Although the community has a population of over 24,000, only a small portion of them still speak Barman Thar, making it a highly endangered language.

Surampha, also known as Swargadeo Jayaditya Singha, is the Ahom king who is referred to as 'Bhagaraja' in historical texts. The nickname is derived from the Assamese word 'bhaga', meaning 'broken' or 'to end something', possibly alluding to his untimely demise or the end of his reign.

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Surampha, also known as Swargadeo Jayaditya Singha, is the Ahom king who is referred to as 'Bhagaraja' in historical texts. The nickname is derived from the Assamese word 'bhaga', meaning 'broken' or 'to end something', possibly alluding to his untimely demise or the end of his reign.

Apong is a traditional rice beer widely consumed by various indigenous communities in Assam, India. It's a fermented beverage prepared from rice and local yeast, with recipes and brewing techniques often passed down through families. Apong plays a significant role in Assamese culture and is commonly featured in social gatherings, festivals, and religious ceremonies. It is also known by other local names such as "Haaz", "Mod" or “Lao-pani”.

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Apong is a traditional rice beer widely consumed by various indigenous communities in Assam, India. It's a fermented beverage prepared from rice and local yeast, with recipes and brewing techniques often passed down through families. Apong plays a significant role in Assamese culture and is commonly featured in social gatherings, festivals, and religious ceremonies. It is also known by other local names such as "Haaz", "Mod" or “Lao-pani”.

Achyut Lahkar is considered the father of modern Assamese mobile theatre. He founded Nataraj Theatre in 1963 in Pathsala, Assam. While traveling theatre forms like Yatra were present earlier, Lahkar's Nataraj Theatre formalized and popularized mobile theatre with its organized structure and focus on contemporary themes, making it a significant cultural force in Assam.

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Achyut Lahkar is considered the father of modern Assamese mobile theatre. He founded Nataraj Theatre in 1963 in Pathsala, Assam. While traveling theatre forms like Yatra were present earlier, Lahkar's Nataraj Theatre formalized and popularized mobile theatre with its organized structure and focus on contemporary themes, making it a significant cultural force in Assam.

In Assamese literature, the sobriquet "Lauha Manab" belongs to Bishnuram Medhi.

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In Assamese literature, the sobriquet "Lauha Manab" belongs to Bishnuram Medhi.

Dandua Droh is an Assamese historical novel by Rajani Kanta Bardolai, published in 1909. The book is based on the Dundiya rebellion, a significant revolt in the history of Assam. Haradatta Choudhury and his brother Biradatta, they arranged a large force of Barkandazes, mainly of Hindustanis and Sikhs against the Ahom government.

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Dandua Droh is an Assamese historical novel by Rajani Kanta Bardolai, published in 1909. The book is based on the Dundiya rebellion, a significant revolt in the history of Assam. Haradatta Choudhury and his brother Biradatta, they arranged a large force of Barkandazes, mainly of Hindustanis and Sikhs against the Ahom government.