The number of bank nationalised from 1969 till 26 January 2023 is [#12]
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Q1. The number of bank nationalised from 1969 till 26 January 2023 is
Q1. The number of bank nationalised from 1969 till 26 January 2023 is
(A) 8
(A) 8
(A) 8
(B) 12
(B) 12
(B) 12
(C) 14
(C) 14
(C) 14
(D) 20
(D) 20
(D) 20
Answer: (D) 20
Answer: (D) 20
Answer: (D) 20
20
20
20
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Related MCQ Quizzes
Q1. What is the Tutelary deity of the Ahoms called?
Q1. What is the Tutelary deity of the Ahoms called?
(A) Shiva
(A) Shiva
(A) Shiva
(B) Mainao
(B) Mainao
(B) Mainao
(C) Chumdeo
(C) Chumdeo
(C) Chumdeo
(D) Hetuka Sulin
(D) Hetuka Sulin
(D) Hetuka Sulin
Answer: (C) Chumdeo
Answer: (C) Chumdeo
Answer: (C) Chumdeo
The Ahom royal family kept two secret tutelary deities, Chumdeo (Chumpha-rung-Seng-Mong) and Sheng. The Ahom king Sukapha brought Chumdeo with him from Mong Phi across the Patkai mountains to Assam. The relic represented the king's sovereignty and was kept in the royal seat until Suklenmung moved it in 1539–1552. Only the king could touch or worship it. Public belief held that Chumdeo granted endless wealth and made the enemy invincible. The stone-like deity disappeared after Ahom rule ended in Assam.
The Ahom royal family kept two secret tutelary deities, Chumdeo (Chumpha-rung-Seng-Mong) and Sheng. The Ahom king Sukapha brought Chumdeo with him from Mong Phi across the Patkai mountains to Assam. The relic represented the king's sovereignty and was kept in the royal seat until Suklenmung moved it in 1539–1552. Only the king could touch or worship it. Public belief held that Chumdeo granted endless wealth and made the enemy invincible. The stone-like deity disappeared after Ahom rule ended in Assam.
The Ahom royal family kept two secret tutelary deities, Chumdeo (Chumpha-rung-Seng-Mong) and Sheng. The Ahom king Sukapha brought Chumdeo with him from Mong Phi across the Patkai mountains to Assam. The relic represented the king's sovereignty and was kept in the royal seat until Suklenmung moved it in 1539–1552. Only the king could touch or worship it. Public belief held that Chumdeo granted endless wealth and made the enemy invincible. The stone-like deity disappeared after Ahom rule ended in Assam.
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Q2. Three numbers are in the ratio 3:4:5. The sum of the largest and the smallest equals the sum of the third and 52. The smallest number is
Q2. Three numbers are in the ratio 3:4:5. The sum of the largest and the smallest equals the sum of the third and 52. The smallest number is
(A) 48
(A) 48
(A) 48
(B) 36
(B) 36
(B) 36
(C) 39
(C) 39
(C) 39
(D) 30
(D) 30
(D) 30
Answer: (C) 39
Answer: (C) 39
Answer: (C) 39
39
39
39
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Q3. Which of the following is a prime number?
Q3. Which of the following is a prime number?
81,33,71,93
81,33,71,93
81,33,71,93
(A) 93
(A) 93
(A) 93
(B) 33
(B) 33
(B) 33
(C) 71
(C) 71
(C) 71
(D) 81
(D) 81
(D) 81
Answer: (C) 71
Answer: (C) 71
Answer: (C) 71
71
71
71
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Q4. Identify the antonym of ‘cheap’.
Q4. Identify the antonym of ‘cheap’.
(A) Price
(A) Price
(A) Price
(B) Poor
(B) Poor
(B) Poor
(C) Expensive
(C) Expensive
(C) Expensive
(D) Rice
(D) Rice
(D) Rice
Answer: (C) Expensive
Answer: (C) Expensive
Answer: (C) Expensive
"Expensive" is the opposite of "cheap," meaning it has a high price or cost.
"Expensive" is the opposite of "cheap," meaning it has a high price or cost.
"Expensive" is the opposite of "cheap," meaning it has a high price or cost.
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Q5. Name the first talkie in Assamese.
Q5. Name the first talkie in Assamese.
(A) Bhaiti
(A) Bhaiti
(A) Bhaiti
(B) Baruar Sansaar
(B) Baruar Sansaar
(B) Baruar Sansaar
(C) Joymoti
(C) Joymoti
(C) Joymoti
(D) Indramalati
(D) Indramalati
(D) Indramalati
Answer: (C) Joymoti
Answer: (C) Joymoti
Answer: (C) Joymoti
Joymoti (1935) is the first talkie in Assamese. Jyoti Prasad Agarwala directed the historical film about the life of Ahom princess Joymoti, the wife of a later Ahom king. Aideu Handique, who starred in Joymoti, was the first Assamese film actress.
Joymoti (1935) is the first talkie in Assamese. Jyoti Prasad Agarwala directed the historical film about the life of Ahom princess Joymoti, the wife of a later Ahom king. Aideu Handique, who starred in Joymoti, was the first Assamese film actress.
Joymoti (1935) is the first talkie in Assamese. Jyoti Prasad Agarwala directed the historical film about the life of Ahom princess Joymoti, the wife of a later Ahom king. Aideu Handique, who starred in Joymoti, was the first Assamese film actress.
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Q6. Who established the famous Iron Factory in 1907?
Q6. Who established the famous Iron Factory in 1907?
(A) Sarala Devi
(A) Sarala Devi
(A) Sarala Devi
(B) Nilratan Sarkar
(B) Nilratan Sarkar
(B) Nilratan Sarkar
(C) Jamshedji Tata
(C) Jamshedji Tata
(C) Jamshedji Tata
(D) Prafulla Ray
(D) Prafulla Ray
(D) Prafulla Ray
Answer: (C) Jamshedji Tata
Answer: (C) Jamshedji Tata
Answer: (C) Jamshedji Tata
Jamshedji Tata
Jamshedji Tata
Jamshedji Tata
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Q7. You must apologize ________ the punishment.
Q7. You must apologize ________ the punishment.
Fill the blank with appropriate option.
Fill the blank with appropriate option.
Fill the blank with appropriate option.
(A) escape
(A) escape
(A) escape
(B) escaping
(B) escaping
(B) escaping
(C) to escape
(C) to escape
(C) to escape
(D) to escaping
(D) to escaping
(D) to escaping
Answer: (C) to escape
Answer: (C) to escape
Answer: (C) to escape
to escape
to escape
to escape
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Q8. What is Madhubani art?
Q8. What is Madhubani art?
(A) The art of Storytelling
(A) The art of Storytelling
(A) The art of Storytelling
(B) The art of Gujarat
(B) The art of Gujarat
(B) The art of Gujarat
(C) A folk art practised in Bihar
(C) A folk art practised in Bihar
(C) A folk art practised in Bihar
(D) The art of honey extraction
(D) The art of honey extraction
(D) The art of honey extraction
Answer: (C) A folk art practised in Bihar
Answer: (C) A folk art practised in Bihar
Answer: (C) A folk art practised in Bihar
Madhubani art (originally Mithila art) is a style of painting practiced in the Mithila region of India and Nepal. It is named after the Madhubani district of Bihar, India, which is where it originated. Jitwarpur and Ranti are the two most notable cities associated with the tradition and evolution of Madhubani art. The art was traditionally practiced by female members of Brahman and Kayastha castes.
Madhubani art (originally Mithila art) is a style of painting practiced in the Mithila region of India and Nepal. It is named after the Madhubani district of Bihar, India, which is where it originated. Jitwarpur and Ranti are the two most notable cities associated with the tradition and evolution of Madhubani art. The art was traditionally practiced by female members of Brahman and Kayastha castes.
Madhubani art (originally Mithila art) is a style of painting practiced in the Mithila region of India and Nepal. It is named after the Madhubani district of Bihar, India, which is where it originated. Jitwarpur and Ranti are the two most notable cities associated with the tradition and evolution of Madhubani art. The art was traditionally practiced by female members of Brahman and Kayastha castes.
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Q9. Which of the following is the longest river in India
Q9. Which of the following is the longest river in India
(A) Brahmaputra
(A) Brahmaputra
(A) Brahmaputra
(B) Ganga
(B) Ganga
(B) Ganga
(C) Narmada
(C) Narmada
(C) Narmada
(D) Godavari
(D) Godavari
(D) Godavari
Answer: (B) Ganga
Answer: (B) Ganga
Answer: (B) Ganga
Ganga
Ganga
Ganga
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Q10. Where is the earthen light lit by Madhavdeva still found?
Q10. Where is the earthen light lit by Madhavdeva still found?
(A) Dhekiyakhowa Naamghar
(A) Dhekiyakhowa Naamghar
(A) Dhekiyakhowa Naamghar
(B) Aathkheliya Naamghar
(B) Aathkheliya Naamghar
(B) Aathkheliya Naamghar
(C) Garakhiya Doul
(C) Garakhiya Doul
(C) Garakhiya Doul
(D) Joydoul
(D) Joydoul
(D) Joydoul
Answer: (A) Dhekiyakhowa Naamghar
Answer: (A) Dhekiyakhowa Naamghar
Answer: (A) Dhekiyakhowa Naamghar
The earthen lamp lit by Madhavdeva, a prominent figure in Assamese Vaishnavism, is still burning continuously at the Dhekiakhowa Bornamghar in Jorhat, Assam. This Namghar (place of worship) was established by Madhavdeva in 1528, and the lamp has been kept alight ever since, making it a significant pilgrimage site and a symbol of enduring tradition.
The earthen lamp lit by Madhavdeva, a prominent figure in Assamese Vaishnavism, is still burning continuously at the Dhekiakhowa Bornamghar in Jorhat, Assam. This Namghar (place of worship) was established by Madhavdeva in 1528, and the lamp has been kept alight ever since, making it a significant pilgrimage site and a symbol of enduring tradition.
The earthen lamp lit by Madhavdeva, a prominent figure in Assamese Vaishnavism, is still burning continuously at the Dhekiakhowa Bornamghar in Jorhat, Assam. This Namghar (place of worship) was established by Madhavdeva in 1528, and the lamp has been kept alight ever since, making it a significant pilgrimage site and a symbol of enduring tradition.
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Related Questions
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