SPPMMC TEAM - Quizzes of the Day - 2025-02-19

Sri Surya Pahar is a significant archaeological site in Assam, known for its numerous rock-cut Shivalingas and other religious artifacts. It is often referred to as the "second Kashi" due to the high concentration of Shivalingas, reminiscent of the holy city of Kashi (Varanasi). Legend states that Vyasa engraved 99,999 Shiva Lingas here, aiming to create a second Kashi (where there are 100,000). While less widely known than other Assamese landmarks, it holds considerable religious and historical importance.

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Sri Surya Pahar is a significant archaeological site in Assam, known for its numerous rock-cut Shivalingas and other religious artifacts. It is often referred to as the "second Kashi" due to the high concentration of Shivalingas, reminiscent of the holy city of Kashi (Varanasi). Legend states that Vyasa engraved 99,999 Shiva Lingas here, aiming to create a second Kashi (where there are 100,000). While less widely known than other Assamese landmarks, it holds considerable religious and historical importance.

While various traditional theatrical forms existed in Assam, the Yatra Party is considered the most direct precursor to mobile theatre. Yatra parties were traveling troupes that performed plays, often based on mythological or historical themes, for audiences in different locations. This tradition of traveling performance troupes laid the groundwork for the development of mobile theatre, which adopted and modernized this concept. While Ankia Nat and Bhaona contributed to Assamese theatrical traditions, they weren't traveling troupes in the same way as the Yatra and thus not the direct predecessor of mobile theatre's format.

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While various traditional theatrical forms existed in Assam, the Yatra Party is considered the most direct precursor to mobile theatre. Yatra parties were traveling troupes that performed plays, often based on mythological or historical themes, for audiences in different locations. This tradition of traveling performance troupes laid the groundwork for the development of mobile theatre, which adopted and modernized this concept. While Ankia Nat and Bhaona contributed to Assamese theatrical traditions, they weren't traveling troupes in the same way as the Yatra and thus not the direct predecessor of mobile theatre's format.

The first commercial Yatra Party in Assam was established in Barpeta. This marked a significant step in the evolution of Assamese theatre, transitioning towards a more structured and financially driven form of performance. It was initiated by Tirtharam Bayan with the support of Govindaram Choudhury, signifying the beginning of organized Yatra performances in the region.

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The first commercial Yatra Party in Assam was established in Barpeta. This marked a significant step in the evolution of Assamese theatre, transitioning towards a more structured and financially driven form of performance. It was initiated by Tirtharam Bayan with the support of Govindaram Choudhury, signifying the beginning of organized Yatra performances in the region.

Moho-ho is a folk festival celebrated in Lower Assam, particularly in districts like Kamrup, Goalpara, Barpeta, Nalbari, and Darrang. Held during the full moon night of Agrahayana/Aghun (November-December), its main objective is to eliminate mosquitoes and other pests prevalent during that season. The name itself combines "moh" (mosquito) and "ho" (to drive away). The festival involves traditional dances, songs, and the burning of bamboo effigies symbolizing the pests, all contributing to a community effort to ward off these nuisances.

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Moho-ho is a folk festival celebrated in Lower Assam, particularly in districts like Kamrup, Goalpara, Barpeta, Nalbari, and Darrang. Held during the full moon night of Agrahayana/Aghun (November-December), its main objective is to eliminate mosquitoes and other pests prevalent during that season. The name itself combines "moh" (mosquito) and "ho" (to drive away). The festival involves traditional dances, songs, and the burning of bamboo effigies symbolizing the pests, all contributing to a community effort to ward off these nuisances.

Sri Sri Auniati Satra, located in Majuli, Assam, was established by the Ahom King Jayaddhwaj Singha.

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Sri Sri Auniati Satra, located in Majuli, Assam, was established by the Ahom King Jayaddhwaj Singha.

Brajanath Sharma, a pioneer of mobile theatre in Assam, is credited with introducing co-acting (specifically, women acting on stage) in 1933. This was a revolutionary step, as previously, female roles were typically played by men. His bold initiative opened up opportunities for women in Assamese theatre and significantly contributed to the industry's development.

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Brajanath Sharma, a pioneer of mobile theatre in Assam, is credited with introducing co-acting (specifically, women acting on stage) in 1933. This was a revolutionary step, as previously, female roles were typically played by men. His bold initiative opened up opportunities for women in Assamese theatre and significantly contributed to the industry's development.

Tusu Puja is a significant harvest festival primarily observed by the tea tribes and other tribal communities in Assam, as well as in parts of West Bengal, Jharkhand, and Odisha.

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Tusu Puja is a significant harvest festival primarily observed by the tea tribes and other tribal communities in Assam, as well as in parts of West Bengal, Jharkhand, and Odisha.

Bishnu Prasad Rabha was the first president of the Asom Natya Sanmilan. The Asom Natya Sanmilan is an amateur theater organization in Assam, India.

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Bishnu Prasad Rabha was the first president of the Asom Natya Sanmilan. The Asom Natya Sanmilan is an amateur theater organization in Assam, India.

During his visit to Assam in 1921, Mahatma Gandhi stayed at various locations, including the residence of Tarun Ram Phukan, a prominent freedom fighter, in Guwahati.

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During his visit to Assam in 1921, Mahatma Gandhi stayed at various locations, including the residence of Tarun Ram Phukan, a prominent freedom fighter, in Guwahati.

Narakasura, a prominent figure in Hindu mythology, is believed to have ruled the ancient kingdom of Pragjyotisha. This kingdom is generally associated with the region that comprises modern-day Assam. His capital city was Pragjyotishapura, often identified with present-day Guwahati. It's important to remember that Narakasura's story is part of mythology and lacks definitive historical proof.

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Narakasura, a prominent figure in Hindu mythology, is believed to have ruled the ancient kingdom of Pragjyotisha. This kingdom is generally associated with the region that comprises modern-day Assam. His capital city was Pragjyotishapura, often identified with present-day Guwahati. It's important to remember that Narakasura's story is part of mythology and lacks definitive historical proof.