SPPMMC TEAM - Quizzes of the Day - 2025-02-19

Srimanta Sankardeva, a revered saint and social reformer of Assam, established his first Satra at Bordowa, his birthplace. Located in the present-day Nagaon district, this Satra, known as Sri Sri Batadrava Than, holds immense significance as the first center for the propagation of Ekasarana Dharma, the Neo-Vaishnavite religious movement he initiated. It was a pivotal hub for his religious and cultural activities.

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Srimanta Sankardeva, a revered saint and social reformer of Assam, established his first Satra at Bordowa, his birthplace. Located in the present-day Nagaon district, this Satra, known as Sri Sri Batadrava Than, holds immense significance as the first center for the propagation of Ekasarana Dharma, the Neo-Vaishnavite religious movement he initiated. It was a pivotal hub for his religious and cultural activities.

Sri Surya Pahar is a significant archaeological site in Assam, known for its numerous rock-cut Shivalingas and other religious artifacts. It is often referred to as the "second Kashi" due to the high concentration of Shivalingas, reminiscent of the holy city of Kashi (Varanasi). Legend states that Vyasa engraved 99,999 Shiva Lingas here, aiming to create a second Kashi (where there are 100,000). While less widely known than other Assamese landmarks, it holds considerable religious and historical importance.

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Sri Surya Pahar is a significant archaeological site in Assam, known for its numerous rock-cut Shivalingas and other religious artifacts. It is often referred to as the "second Kashi" due to the high concentration of Shivalingas, reminiscent of the holy city of Kashi (Varanasi). Legend states that Vyasa engraved 99,999 Shiva Lingas here, aiming to create a second Kashi (where there are 100,000). While less widely known than other Assamese landmarks, it holds considerable religious and historical importance.

Moho-ho is a folk festival celebrated in Lower Assam, particularly in districts like Kamrup, Goalpara, Barpeta, Nalbari, and Darrang. Held during the full moon night of Agrahayana/Aghun (November-December), its main objective is to eliminate mosquitoes and other pests prevalent during that season. The name itself combines "moh" (mosquito) and "ho" (to drive away). The festival involves traditional dances, songs, and the burning of bamboo effigies symbolizing the pests, all contributing to a community effort to ward off these nuisances.

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Moho-ho is a folk festival celebrated in Lower Assam, particularly in districts like Kamrup, Goalpara, Barpeta, Nalbari, and Darrang. Held during the full moon night of Agrahayana/Aghun (November-December), its main objective is to eliminate mosquitoes and other pests prevalent during that season. The name itself combines "moh" (mosquito) and "ho" (to drive away). The festival involves traditional dances, songs, and the burning of bamboo effigies symbolizing the pests, all contributing to a community effort to ward off these nuisances.

Madhupur Satra is located in Cooch Behar, West Bengal, India. While geographically in West Bengal, it's important to note its connection to the Ekasarana tradition of Vaishnavism, which originated in Assam with Srimanta Sankardeva. The Satra's presence in Cooch Behar reflects the historical and cultural links between the regions.

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Madhupur Satra is located in Cooch Behar, West Bengal, India. While geographically in West Bengal, it's important to note its connection to the Ekasarana tradition of Vaishnavism, which originated in Assam with Srimanta Sankardeva. The Satra's presence in Cooch Behar reflects the historical and cultural links between the regions.

Tusu Puja is a significant harvest festival primarily observed by the tea tribes and other tribal communities in Assam, as well as in parts of West Bengal, Jharkhand, and Odisha.

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Tusu Puja is a significant harvest festival primarily observed by the tea tribes and other tribal communities in Assam, as well as in parts of West Bengal, Jharkhand, and Odisha.

Uruka is the night before Magh Bihu, a significant harvest festival in Assam, India. It's a night of feasting, merrymaking, and community bonding, marking the end of the harvesting season. People prepare special dishes, build temporary shelters (Bhelaghar), and light bonfires (Meji) as part of the celebrations. Uruka is a time to express gratitude for the harvest and enjoy the fruits of their labor before the main Magh Bihu festivities begin.

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Uruka is the night before Magh Bihu, a significant harvest festival in Assam, India. It's a night of feasting, merrymaking, and community bonding, marking the end of the harvesting season. People prepare special dishes, build temporary shelters (Bhelaghar), and light bonfires (Meji) as part of the celebrations. Uruka is a time to express gratitude for the harvest and enjoy the fruits of their labor before the main Magh Bihu festivities begin.

Magh Bihu, a post-harvest festival in Assam, is celebrated in the Assamese month of Magh, which corresponds to January-February in the Gregorian calendar. It's a significant festival marked by feasting, bonfires (Meji), and various traditional activities. It usually takes place in mid-January.

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Magh Bihu, a post-harvest festival in Assam, is celebrated in the Assamese month of Magh, which corresponds to January-February in the Gregorian calendar. It's a significant festival marked by feasting, bonfires (Meji), and various traditional activities. It usually takes place in mid-January.

Kushan gaan is a traditional folk theatre form primarily found and performed in the Goalpara district of Assam, India. This unique form of theatre combines music, dance, and acting, often drawing its themes and stories from the epic Ramayana. It is performed by semi-professional troupes and plays a significant role in the cultural identity and heritage of the Goalpara region.

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Kushan gaan is a traditional folk theatre form primarily found and performed in the Goalpara district of Assam, India. This unique form of theatre combines music, dance, and acting, often drawing its themes and stories from the epic Ramayana. It is performed by semi-professional troupes and plays a significant role in the cultural identity and heritage of the Goalpara region.

Brajanath Sharma, a prominent figure in Assamese theatre, founded the 'Shil Kalika Opera Party' in 1921. This marked an important early development in the evolution of mobile theatre in Assam. Sharma is recognized for his pioneering work in bringing theatre to wider audiences, particularly in rural areas, and the 'Shil Kalika Opera Party' was a key part of his contribution.

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Brajanath Sharma, a prominent figure in Assamese theatre, founded the 'Shil Kalika Opera Party' in 1921. This marked an important early development in the evolution of mobile theatre in Assam. Sharma is recognized for his pioneering work in bringing theatre to wider audiences, particularly in rural areas, and the 'Shil Kalika Opera Party' was a key part of his contribution.

Achyut Lahkar is considered the father of modern Assamese mobile theatre. He founded Nataraj Theatre in 1963 in Pathsala, Assam. While traveling theatre forms like Yatra were present earlier, Lahkar's Nataraj Theatre formalized and popularized mobile theatre with its organized structure and focus on contemporary themes, making it a significant cultural force in Assam.

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Achyut Lahkar is considered the father of modern Assamese mobile theatre. He founded Nataraj Theatre in 1963 in Pathsala, Assam. While traveling theatre forms like Yatra were present earlier, Lahkar's Nataraj Theatre formalized and popularized mobile theatre with its organized structure and focus on contemporary themes, making it a significant cultural force in Assam.