SPPMMC TEAM - Quizzes of the Day - 2025-02-19

While various traditional theatrical forms existed in Assam, the Yatra Party is considered the most direct precursor to mobile theatre. Yatra parties were traveling troupes that performed plays, often based on mythological or historical themes, for audiences in different locations. This tradition of traveling performance troupes laid the groundwork for the development of mobile theatre, which adopted and modernized this concept. While Ankia Nat and Bhaona contributed to Assamese theatrical traditions, they weren't traveling troupes in the same way as the Yatra and thus not the direct predecessor of mobile theatre's format.

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While various traditional theatrical forms existed in Assam, the Yatra Party is considered the most direct precursor to mobile theatre. Yatra parties were traveling troupes that performed plays, often based on mythological or historical themes, for audiences in different locations. This tradition of traveling performance troupes laid the groundwork for the development of mobile theatre, which adopted and modernized this concept. While Ankia Nat and Bhaona contributed to Assamese theatrical traditions, they weren't traveling troupes in the same way as the Yatra and thus not the direct predecessor of mobile theatre's format.

Uruka is the night before Magh Bihu, a significant harvest festival in Assam, India. It's a night of feasting, merrymaking, and community bonding, marking the end of the harvesting season. People prepare special dishes, build temporary shelters (Bhelaghar), and light bonfires (Meji) as part of the celebrations. Uruka is a time to express gratitude for the harvest and enjoy the fruits of their labor before the main Magh Bihu festivities begin.

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Uruka is the night before Magh Bihu, a significant harvest festival in Assam, India. It's a night of feasting, merrymaking, and community bonding, marking the end of the harvesting season. People prepare special dishes, build temporary shelters (Bhelaghar), and light bonfires (Meji) as part of the celebrations. Uruka is a time to express gratitude for the harvest and enjoy the fruits of their labor before the main Magh Bihu festivities begin.

Ajan Fakir, also known as Nizamuddin Auliya, was a Sufi saint who traveled to Assam in the 17th century. He is credited with composing the Jikir and Jaari geets, devotional songs that blend Assamese folk music with Sufi and Islamic influences. These songs hold a significant place in Assamese cultural heritage and are still widely sung and appreciated today.

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Ajan Fakir, also known as Nizamuddin Auliya, was a Sufi saint who traveled to Assam in the 17th century. He is credited with composing the Jikir and Jaari geets, devotional songs that blend Assamese folk music with Sufi and Islamic influences. These songs hold a significant place in Assamese cultural heritage and are still widely sung and appreciated today.

Jyoti Chitraban, a prominent film studio in Assam, India, was established in 1961. It has played a crucial role in the development of Assamese cinema, providing a platform for filmmakers and contributing to the growth of the regional film industry. It is located in Guwahati.

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Jyoti Chitraban, a prominent film studio in Assam, India, was established in 1961. It has played a crucial role in the development of Assamese cinema, providing a platform for filmmakers and contributing to the growth of the regional film industry. It is located in Guwahati.

Sri Sri Auniati Satra, located in Majuli, Assam, was established by the Ahom King Jayaddhwaj Singha.

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Sri Sri Auniati Satra, located in Majuli, Assam, was established by the Ahom King Jayaddhwaj Singha.

Srimanta Sankardeva, a revered saint and social reformer of Assam, established his first Satra at Bordowa, his birthplace. Located in the present-day Nagaon district, this Satra, known as Sri Sri Batadrava Than, holds immense significance as the first center for the propagation of Ekasarana Dharma, the Neo-Vaishnavite religious movement he initiated. It was a pivotal hub for his religious and cultural activities.

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Srimanta Sankardeva, a revered saint and social reformer of Assam, established his first Satra at Bordowa, his birthplace. Located in the present-day Nagaon district, this Satra, known as Sri Sri Batadrava Than, holds immense significance as the first center for the propagation of Ekasarana Dharma, the Neo-Vaishnavite religious movement he initiated. It was a pivotal hub for his religious and cultural activities.

Madhavdeva, a key figure in Assamese literature and culture, composed 191 Bargeets. These devotional songs are a cornerstone of the Assamese Vaishnavite tradition. While his guru, Srimanta Sankardeva, initiated the Bargeet tradition, Madhavdeva significantly contributed to it, creating a substantial and influential body of work after a fire destroyed most of Sankardeva's compositions.

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Madhavdeva, a key figure in Assamese literature and culture, composed 191 Bargeets. These devotional songs are a cornerstone of the Assamese Vaishnavite tradition. While his guru, Srimanta Sankardeva, initiated the Bargeet tradition, Madhavdeva significantly contributed to it, creating a substantial and influential body of work after a fire destroyed most of Sankardeva's compositions.

During his visit to Assam in 1921, Mahatma Gandhi stayed at various locations, including the residence of Tarun Ram Phukan, a prominent freedom fighter, in Guwahati.

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During his visit to Assam in 1921, Mahatma Gandhi stayed at various locations, including the residence of Tarun Ram Phukan, a prominent freedom fighter, in Guwahati.

Achyut Lahkar is considered the father of modern Assamese mobile theatre. He founded Nataraj Theatre in 1963 in Pathsala, Assam. While traveling theatre forms like Yatra were present earlier, Lahkar's Nataraj Theatre formalized and popularized mobile theatre with its organized structure and focus on contemporary themes, making it a significant cultural force in Assam.

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Achyut Lahkar is considered the father of modern Assamese mobile theatre. He founded Nataraj Theatre in 1963 in Pathsala, Assam. While traveling theatre forms like Yatra were present earlier, Lahkar's Nataraj Theatre formalized and popularized mobile theatre with its organized structure and focus on contemporary themes, making it a significant cultural force in Assam.

Sri Sri Samaguri Satra, located in Majuli, Assam, is famous for its unique mask-making tradition. These masks, crafted from traditional materials like bamboo, clay, and cloth, are integral to Ankiya Bhaona performances, a traditional form of Assamese theatre.

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Sri Sri Samaguri Satra, located in Majuli, Assam, is famous for its unique mask-making tradition. These masks, crafted from traditional materials like bamboo, clay, and cloth, are integral to Ankiya Bhaona performances, a traditional form of Assamese theatre.